Showing posts with label cotton yarn. Show all posts
Showing posts with label cotton yarn. Show all posts

Friday, June 20, 2014

Never underestimate the power of a mug rug

The yarn is Vanna's Choice Lion Brand "Seaspray Mist".
The other yarns were worsted weight scraps from my collection.
Its summer. This is a great time to kick back with a simple pin loom project.  If you have kids to entertain, its nice to be able to introduce a project that they can accomplish in a day or two.

Plus, its too hot to have half an afghan on your lap while you're putting it together. This is the season for portable projects.
 
My favorite simple project is the mug rug. There are endless variations and we all need a coaster sooner or later.  The mug rugs shown here were made to match the mugs in order to turn a so-so gift into something personalized and special.

To make the coasters shown above, weave a 4" square and add a 2" x 2" poppy colored square, turn into a Loom Bloom by pulling on one horizontal and one vertical line of yarn. Secure the flower with a contrasting color. Make the flower stem by using a running stitch in the darker color. 
 


http://angelatong.blogspot.com/2014/02/how-to-zoom-loom-cross-stitch-coasters.html
 Coasters come in such infinite variety. Angela Tong  made the incredible coaster on the right, taking advantage of one of the pin loom's best properties, that its a wonderful medium for cross stitch.  The complete directions can be found at her site, Angela Tong Designs.











Another design from the web - Purlbee offers a kit with Zoom Loom, yarn and instructions for a great set of coasters. 



 Happy summer... happy mug rug making!   Weave on!   Meg


Tuesday, March 4, 2014

Soft Boxes - An assembly for 4" pin looms


IN THE JUNGLE SOFT BOX

Soft boxes combine the fun and creativity of pin loom weaving  in a medium size project. A lovely little 3-D box that comes with a canvas on each side.  These boxes were made as gifts. The attached jungle animals and cats are buttons that are usually available at fabric stores.

Each soft box is constructed from twelve 4"x4" squares. The squares were woven on a pin loom, then a single crochet edge was added. The exterior squares were finished with free stitching, buttons and yarn pulled through using a crochet hook to create loops.


FOUR SEASONS SOFT BOX

After completing the embellishment, an exterior weavie is sandwiched with another weavie for the lining (I usually weave a lighter matching color for the interior) with several layers of quilt batting in the middle.

The two woven layers with batting are whip-stitched together. The sides and bottom are whip-stitched to create a box. The top edge of the box is finished with a single crochet row to give it extra structure and to carry the color that was used for joining around the top.

The soft boxes were made primarily with medium weight worsted wool.
You may notice that the background of the "Winter" side of the Four Seasons box is woven with stripes of white and a cream color. This is accomplished by winding one color on the pin loom for the first two layers, then knotting on the second color to use for the third layer of winding and to weave through.

The top of the soft box was made by the same process as the sides with the addition of an extra row of single crochet, chain 2 at each corner, then two rows of half-double crochet with no  added chain stitches to create a box lid. 

ADOBE HOUSE SOFT BOX

The boxes have proved to be very lasting and reasonably useful. Most end up being used primarily as ornaments and holders for jewelry or other personal items. I use one when I travel to protect a glass cologne bottle. They are soft and crushable and easily straightened out at the end of the trip.

One thing that surprises me when making a soft box is just how much weaving and work goes into it. That may sound like an unfortunate admission but what you get out of the work is a small but treasured prize. 



Friday, February 7, 2014

Pin Loom Chickens


Chickens with wings posing with egg
The pin loom chicken pattern was developed a number of years ago and appeared in my first book, Weavies One.

The first chickens had no wings, like the example on the shelf. The wings are an option that offers great little pockets for storing things away that you don't want to lose... unless you forget that you put them in the chicken wing. I find the chickens to have an interesting, if beady-eyed, personality. 




Materials:
Yarn - All of the examples are made with worsted weight yarn and worsted weight chenille yarn plus polyester stuffing and some plastic pellets at the bottom for extra weight and stability.

The original chicken pattern called for all of the pieces to have a single crochet edge and be joined using a whip stitch.

These examples of the chicken pattern also show some of the variations made available by choosing a mix of yarns. For example, the green, wingless chicken was wound with one layer of beige chenille yarn, then finished with a green worsted weight yarn. This worked particularly well because weaving with something very fuzzy, like the chenille yarn, can be difficult. The yarn can break or knot up. By winding the difficult to weave with yarns onto the loom first you can integrate them into the weaving without having to manipulate them so much.

I made one new generation chicken-- shown below with the horizontally striped wing. Instead of using a single crochet edge on each piece and whipstitching together, this chicken is joined using a single crochet to join the two pieces, then the join is turned to the inside. You can see a close up of the two approaches on the Pin Loom Essentials page.

Because the new chicken is a bit smaller due to the difference in joining, the original beak was too big for it. For a smaller beak, I used some yellow fingering yarn to make a lighter weave and folded the 2" x 2" weavie 3 times, to create a small cone.  I also used two 2" x 4" weavies for its wings instead of the 4" x 4" weavies used for wings on the more vintage style chickens.

One of the chickens has apparently laid an egg. The egg was woven with one layer of chenille and an off-white worsted weight yarn. I wove two 2" x 2" weavies that were stitched together with a running stitch, leaving a hole at one corner, then turned inside out and stuffed.

Wednesday, December 18, 2013

Gift idea - Pin Loom Wash Cloths

A number of my family members will be getting herbal soap accompanied by hand woven wash clothes for Christmas. I have never really gotten over the belief, ingrained as a child, that the most heart felt gift was one that was made by hand.  I'm not making the soap, I figure you have to pick your battles, but I am making the wash clothes, which are turning out far better than I expected.


I lucked upon a cone of Sugar and Cream cotton yarn, 706 yards (646 m), for ridiculously low price. That is a lot of hand made wash clothes. Actually, I just stopped and figured out the number. There are four woven squares in each wash cloth.  Each woven square takes 7.5 yards (6.9 m) plus a yard (.9 m) for joining. So each wash cloth is 31 yards (28 m) which means that I could make about 23 wash clothes from that one cone. I realize that a handmade item can't be all about the savings but sale items often encourage creativity for me.

I used a weaving pattern that was popular for both the Weave-It and the Loomette.

DIAGONAL HALF SQUARE 

Row 1: Weave plain.
Row 2: U3, O1, U3, O1, U3, O1, U3, O1, U3, O1, U3, O1, U3, O1, U3.
Row 3: W2, U3, O1, U3, O1, U3, O1, U3, O1, U3, O1, U3, O1, U3, W2.
Row 4: W4, U3, O1, U3, O1, U3, O1, U3, O1, U3, O1, U3, O1, U3.
Row 5: W2, U3, O1, U3, O1, U3, O1, U3, O1, U3, O1, U3, W6. [5]
Row 6: W8, U3, O1, U3, O1, U3, O1, U3, O1, U3, O1, U3.
Row 7: W2, U3, O1, U3, O1, U3, O1, U3, O1, U3, W10. [4]
Row 8: W12, U3, O1, U3, O1, U3, O1, U3, O1, U3.
Row 9: W2, U3, O1, U3, O1, U3, O1, U3, W10. [3]
Row 10: W16, U3, O1, U3, O1, U3, O1, U3.
Row 11: W2, U3, O1, U3, O1, U3, W18. [2]
Row 12: W20, U3, O1, U3, O1, U3.
Row 13: W2, U3, O1, U3, W22. [1]
Row 14: W24, U3, O1, U3.
Row 15: W2, U3, W26.
Row 16: Weave plain.
"WEAVE 22" from "Original Loomette Weaves." Los Angeles, California: Cartercraft Studios, 1937, and "Weave-It Weaves." Book No. 1. Medford, Massachusetts: Donar Products, Corp., 1939.

One further choice. 

When I started making the wash clothes, I finished off the first two with a line of single crochet. Then it hit me, there was no real need to add a crochet edging. One of the interesting aspects of the weave-it is its finished edge and I have found that I rather like the scalloped, lacy edge. However,when I make dish clothes (which is what I am going to do with the two on the right) having that extra single crochet edging makes sense. Perhaps next time I make dish clothes I will use a half-double crochet for a thicker, more structured edging.


Please keep in mind that you are seeing the washcloths straight off the loom. They will shrink and soften with washing.

Wash cloth squares on and off the loom.

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